Posted: February 16th, 2023

What is the effect of the frame tale on the story? Is it different than Ovid? How so?

The frame tale is a literary device used to create a story within a story. It usually involves an introductory narrative that serves as the “frame” for the main or inner story. Frame tales have been employed in literature since ancient times, and can be found in works such as Homer’s Odyssey and Ovid’s Metamorphoses. In modern examples of frame tales, such as The Canterbury Tales by Geoffrey Chaucer, the frame sets up characters with whom readers identify, who are then taken on a journey through which they experience various adventures that serve to illustrate lessons about morality and virtue.

In terms of the effect it has on stories, the frame tale allows authors to present multiple storylines within one work. This helps writers explore different themes without changing perspectives from one chapter to another. By introducing different characters at each stage of the story, readers are able to follow their individual arcs and gain insight into their distinct backgrounds and experiences while exploring larger questions related to fate and human nature more broadly. Additionally, when used effectively in fiction writing, frames provide structure while allowing authors freedom of exploration throughout their narratives.

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What is the effect of the frame tale on the story? Is it different than Ovid? How so?

When compared with Ovid’s use of framing devices in his classic poem Metamorphoses however—which features many episodes organized around brief transitional passages—the effect of framing tales today tends to be more significant because these frames often allow for characterization development that goes beyond simply providing background information about events or settings; they create fully-fledged protagonists whose experiences become integral parts of overarching plots. For instance, Chaucer introduces 29 pilgrims in The Canterbury Tales who tell stories during what would normally be considered short intervals between locations; instead these seemingly minor moments become some of his most important stories due primarily due to how he sets them up through his frame tale device.

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Furthermore, unlike Ovid who typically explains away transformations with brief sentences (e.g., “By Proserpine’s will she changed”), contemporary authors utilizing framing devices tend to give ample space for character motivations behind changes in form or identity so readers can better understand why certain events unfold as they do over time—for example Ursula Le Guin in The Dispossessed does this by focusing on protagonist Shevek’s mental transformation rather than just physical ones relating him back ultimately back  to her introduction character/setup at the beginning with greater insight into his journey as a whole rather than having merely episodic descriptions connected only generally through theme like Ovid did before her works creation..

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